Entertainment Tollywood 28 Apr 2022 Recreating a temple ...

Recreating a temple town

DECCAN CHRONICLE. | SASHIDHAR ADIVI
Published Apr 28, 2022, 12:51 am IST
Updated Apr 28, 2022, 12:51 am IST
Art director Suresh Selvarajan reveals what went into the making of the most talked about set, Dharmasthali, in Acharya
The recreated Dharmasthali, a fictional town. (By Arrangement)
 The recreated Dharmasthali, a fictional town. (By Arrangement)

Having worked for big ticket Bollywood films like Hrithik Roshan-starrers such as Krrish, Agneepath and Brothers, Suresh Selvarajan has become a name to reckon with when it comes to art work in cinema.

His latest project is the Chiranjeevi-starrer Acharya. While the film has around 10 sets, the most talked about one is Dharmasthali, a fictional town.

Suresh says when director Koratala Siva narrated the script, he saw the need for a temple town. They did a recce for about three months but couldn’t find  an appropriate locale. “Also, it is difficult to shoot outdoors with such big stars as Chiranjeevi and Ram Charan — there’ll be a huge crowd. So we decided to build a temple town set,” he shares.

It took four months of pre-production work to design the set. A lot of research and detailing went into it. Suresh personally visited around 60 temples in South India to get the background information before he started sketching. “When you recreate a town on such a massive canvass where every square foot is being utilised, the level of detailing has to be comprehensive,” he says.

“After making the basic sketches I came up with a model, and later started constructing the set,” he explains.

Around 20 acres of land was needed to build the set. Since Chiranjeevi owns land in Kokapet on the outskirts of Hyderabad city, they made use of it. It took around 1000 workers three months to build the Dharmasthali set.

“The temple town set has South Indian architectural styles. I travelled through the whole of the South and realised that most of the gopurams are similar (except those in Mahabalipuram, Tirupati and Thanjavur),” he says, adding that he came up with a new idea for a gopuram.

Suresh had earlier worked with Koratala Siva in Bharat Ane Nenu, a political thriller. “We had replicas of Assembly, etc for that film, but for this film, I needed to create a town which shouldn’t look like a set to the theatre audience,” says Suresh, describing the challenge.

He used iron, fibre, Plaster of Paris, plywood and cement to build the sets. “The magnitude of the scale was very challenging,” he notes.

The Dharmasthali temple town set comprises a gurukulam, a goshala, a hospital, a weavers’ area, police station, bazaar, streets, an agraharam, even a city centre.  It is one of the largest single sets, says Suresh, adding that the 18-ft statue of Goddess Mahakali was one of the major attractions.