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Confluence of conflicts

Shantanu Garg works with a “balancedâ€amalgamation of classic and contemporary styles to create harmony in design.

Tradition meets contemporary in the design philosophy of interior designer Shantanu Garg, who uses a transitional style to create products and design spaces. He says, “I believe in the impact of a transitional design. It brings together two contrasting forms of design in a homogenous setting. Having said that, design should have its individual and distinct character. It is imperative that there is a seamless blend of both the design styles.”

His recent work includes a modern take on Mughal and Moroccan architecture, that included printed jali panels reminiscent of the jharokha, an overhanging enclosed balcony as seen in palaces and forts, with modern detailing. He says, “I like Arabic designs because they are very abstract and offer freedom to mix with contrasting elements. I deliberately include pop art and bold colours in my designs to create abstract expressions in contemporary spaces.”

A living room setting inspired by RajasthanA living room setting inspired by Rajasthan

Inspired by the famous chaand bali earrings from Hyderabad, he created a lighting installation called Noor in the shape of a crescent moon. The chandelier is designed with black metal, antique brass and ruby coloured solid glass. A hemispherical drop, fitted with a light, is draped in digital print over the top. The 29-year-old designer has designed Stosa Cucine showrooms, Trunks Company Lounge in Mumbai, Surana Jewellers and Style n Scissors Salon in Jaipur.

Shantanu says his passion for travelling fuelled his design sensibilities in more ways than one. He says, “I would like to believe that I am a keen observer. I am inspired by various cultures and lifestyles experienced during my travel around the world. This reflects in my designs. My Rajasthani roots also definitely have a huge impact on my personal design preferences.”

Office space building inspired from the temples of IndiaOffice space building inspired from the temples of India

His design philosophy is based on aesthetic and functional detailing. He employs traditional materials for that “poetic touch”. He says, “I like expressing culture and art through my work. The soul of a product is brought to life by the material used. However, I also contrast my designs by staying away from traditional materials, to make it contemporary, and free from acquainted heritage.”

Going forward, he is excited about his upcoming project for the Museum of History of Rajasthan. The museum aims to showcase the culture, art and aesthetics of the vibrant state. He says, “I am working on a design that will have traditional architecture with unique modern touches that will amuse the visitors.”

( Source : Deccan Chronicle. )
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