Opinion DC Comment 22 Jan 2021 DC Edit | Don’ ...

DC Edit | Don’t censor OTT content

DECCAN CHRONICLE.
Published Jan 23, 2021, 12:05 am IST
Updated Jan 23, 2021, 12:05 am IST
The denigration of gods is a smokescreen under which many of these objectors operate
Censorship of OTT content is a grave offence against cinematic art. (Photo:twitter @hathyogi31)
 Censorship of OTT content is a grave offence against cinematic art. (Photo:twitter @hathyogi31)

An assault on creativity in cinema is being carried out by the political class. The grounds that the stereotypical Indian neta is being lampooned or projected in negative shades are not sufficient to allow censorship to stifle the medium of free cinema. Indian content on OTT platforms has also been seen to flourish during the pandemic when people have been forced to mostly stay indoors and their wide search for sources of entertainment has seen them embrace Internet-based media.

The serial Tandav, of a distinctly political thriller genre with startling resemblance to recent events in the country, has been under attack from many States and its makers have been forced to issue apologies and pull scenes just to please those who have been beating the drum of protest on their taking offence at content. The denigration of gods is a smoke screen under which many of these objectors operate. This is deeply disappointing because India is not a country that prosecutes people under blasphemy laws.

 

Censorship of OTT content is a grave offence against cinematic art. International platforms like Netflix, Amazon Prime and Hotstar have explored uncharted territory in front of Indian audiences too because they are free of governmental controls like rigid censorship of content as in films for theatrical release. They serve a very mature audience who have been able to absorb art without boundaries from international sources. Playing spoilsport are the usual suspects from the illiberal spectrum of politics, spurred on by political leaders who think nothing of Orwellian state controls of thought processes and social engineering.  

 

It is risible that the objection to the serial Mirzapur comes on the ground that it besmirches the image of UP in projecting it as a lawless state ruled by mafias. The top court had only recently emphasised that viewers had a choice and they could switch off channels if they felt offended by particular content. The less official India intercedes in all this the better because State control of lives in India has proved inhibiting enough in various facets of life, including art.

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