Lifestyle Culture and Society 14 Feb 2019 A peek into North Ko ...

A peek into North Korea’s cultural revolution

Published Feb 14, 2019, 9:12 pm IST
Updated Feb 14, 2019, 9:12 pm IST
From K-pop to fancy sneakers – Here is an insight into Kim Jong-un's cultural revolution.
A guide stands near a basketball shoe display in a product exhibition room at the Ryuwon Shoe Factory that specialises in sports footwear, in Pyongyang. (Photo: AP)
 A guide stands near a basketball shoe display in a product exhibition room at the Ryuwon Shoe Factory that specialises in sports footwear, in Pyongyang. (Photo: AP)

Pyongyang: Dancers in hot pants. Factories pumping out Air Jordan lookalikes. TV dramas that are actually fun to watch. North Korean pop culture, long dismissed by critics as a kitschy throwback to the dark days of Stalinism, is getting a major upgrade under leader Kim Jong-un.

The changes are being seen in everything from television dramas and animation programmes to the variety and packaging of consumer goods, which have improved significantly under Kim. Whether it's a defensive attempt to keep up with South Korea or an indication that Kim is willing to embrace aspects of Western consumer culture that his predecessors might have viewed as suspiciously bourgeois isn't clear.


"The most important thing for us is to produce a product that suits the people's tastes," Kim Kyong Hui of the Ryuwon Shoe Factory told The Associated Press recently in the facility's showroom, which is filled with dozens of kinds of shoes for running, volleyball, soccer and even table tennis. "The respected leader Kim Jong-un has instructed us to closely study shoes from all over the world and learn from their example," she added, pointing to a pair of flame-red high-top basketball shoes.

To be sure, North Korea remains one of the most insular countries in the world. Change comes cautiously and anyone who openly criticises the government or leadership or is seen as a threat can expect severe repercussions. But there appears to be more of a willingness under Kim to experiment around some of the edges.


The most visible upgrades are on television and its normal menu of propaganda programmes and documentaries in praise of the leaders. Viewers of the main state-run TV network, the only channel that can be seen anywhere in the country, are now stopping their routines to watch the latest episodes of "The Wild Ginseng Gatherers of the Imjin War," a historical drama set in the late 16th century, when Korea was struggling against a Japanese invasion.

The anti-Japan, nationalistic theme is nothing new. A similar theme was used for Kim Jong-un's first big contribution to the television line-up, an animated series reviving a popular comic from his father's era called "The Boy General" that made its debut in 2015. The animation, set in the Koguryo period when Korea was fighting off Chinese incursions, was such a hit that people would stop whatever they were doing to watch it. A Boy General game was created for mobile phones. New episodes are believed to be forthcoming.


What the TV drama, first aired last July, and the Boy General animation share that's new is their high production values. The improvements reflect awareness within Kim's regime that the North Korean public is increasingly familiar with foreign pop culture despite severe restrictions that make it impossible for most to travel abroad or freely experience foreign movies, music or books.

That familiarity is particularly true of the North Korean elite, who are accustomed to seeing brand name products from Dior to Sony on the shelves of upscale stores in Pyongyang, the capital. Cheap knockoffs from China are common in marketplaces around the country.


Watching South Korean movies or listening to South Korean music is illegal. But a lot makes its way over the border and even for those who would never dream of taking that risk, the officially approved cultural fare isn't entirely void of foreign treats. Bollywood films are popular in state-run cinemas – 2009's "Three Idiots" with Aamir Khan, for example, was recently shown in a cinema just across the street from Kim Il Sung Square.

North Korea's "approach to the influx of foreign media has been to 'modernise' media production to provide an attractive and competitive product that caters to younger generations for whom older productions are no longer attractive," said Geoffrey See, the founder of the Choson Exchange, a Singapore-based non-profit that supports change in North Korea through exposure to knowledge and information in business, entrepreneurship and law.


"For consumer goods, it also ties into a state policy to encourage more domestic production and import substitution," he said. Kim's first attempt to update the pop culture scene started almost as soon as he assumed power in late 2011 with the creation of the Moranbong Band, an ensemble of female vocalists and musicians who are the "soft face" of his regime.

Still, military orchestras and classically trained vocalists who perform in traditional "Choson-ot" gowns remain the mainstay of the Pyongyang musical scene. The girl band's performance in Beijing was backed up by the state's military chorus and orchestra, all in full uniform.


More importantly, there has been no effort to delink the arts from politics. When the musical group returned to Pyongyang, Kim urged them to continue to "conduct original artistic activities pulsating with the party's ideology" and act "courageously as mouthpieces of the party," according to state media.