In Focus 12 Jun 2020 Nuckles captures hea ...

Nuckles captures hearts with Muharreban

SPOTLIGHT
Published Jun 12, 2020, 8:18 pm IST
Updated Jun 23, 2020, 5:13 pm IST
Muharreban, the word for smuggler in Arabic, is one of his most well-known tracks in the Asian World
After we were shown this song by a few listeners, it was clear why people from many different countries were so attracted to the song
 After we were shown this song by a few listeners, it was clear why people from many different countries were so attracted to the song

Nuckles is a musician you've probably heard of by now. Hailing from Dubai and Moscow, he is the son of refugees from War-torn Palestine.

Muharreban, the word for smuggler in Arabic, is one of his most well-known tracks in the Asian World along with HABIBI and 971. What makes Muharreban special is the fact that Nuckles utilized his skills as a musician to convey his feelings so well, that even a Non-Arabic listener would feel the essence of the song.

 

After we were shown this song by a few listeners, it was clear why people from many different countries were so attracted to the song. It conveys so many emotions through the vocals that resonate within the heart.

What makes the song so beautiful though, is the story behind it. Before Nuckles became a musician, he had an extremely rough past riddled with sadness and depression on one end, and recklessness and danger on the other.

Without delving too deep into his history, this song specifically talks about his relationship with one special girl he holds dear to his heart, apparently to this day. Nuckles, whose real name is Nasser Dajani, described in this song, the emotional rollercoaster of a relationship that they had.

 

With his unique sound, Nuckles the musician is bound to stay on the rise. To stay tuned to what Nuckles has in store for us, follow him on his Instagram account @NasserDajani

Disclaimer: No Deccan Chronicle journalist was involved in creating this content. The group also takes no responsibility for this content.

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