Raakaasa is an Illogical, Regressive Socio Fantasy Film
The attempt to mix comedy with horror dilutes whatever little tension the story could have generated
Cast: Sangeeth Sobhan, Nayan Sarika, Getup Srinu, Tanikella Bharani, Brahmaji, Ashish Vidyarthi, Vennela Kishore and Rohan Roy
Director: Manasa Sharma
Rating: 1.5/ 5stars
After showing promise with Committee Kurrollu, producer Niharika Konidela delivers a disappointing outing with Raakaasa, an illogical and regressive socio-fantasy that fails to engage. The film attempts to blend horror, folklore, and comedy within a village setting centered around a haunted fort, but weak writing and inconsistent execution derail its potential.
Director Manasa Sharma’s biggest misstep lies in her confused narrative tone. The attempt to mix comedy with horror dilutes whatever little tension the story could have generated. Instead of enhancing the experience, the humor undercuts the fear factor, turning the film into an uneven and often unintentionally comical affirm barring some portions in the second half.
The story follows Sangeeth Sobhan, who returns from the US to marry his childhood love, only to find her married to someone else. Dejected, he ends up spending a night at a supposedly haunted fort, setting the stage for the film’s central mystery. However, the narrative never builds enough intrigue around the fort or its supernatural elements, leaving audiences disconnected.
Performances offer minor relief. Sangeeth Sobhan manages to evoke a few laughs with his timing, while Nayan Sarika fits her role adequately. However, the characterization of Tanikella Bharani as a priest is particularly problematic—his belief in an ancient monster contrasted with trivial behavior like casually taking home biryani weakens the character’s credibility and adds to the film’s illogical tone.
The storyline itself feels outdated, echoing elements seen in films like Anji and Shambala, but without the gripping narration needed to sustain interest. The first half is especially dull, and though the second half has a few genuinely tense moments, they aren’t enough to salvage the film.
Technically, the film falters as well. Anudeep Dev’s music is underwhelming, with forgettable songs and a loud, ineffective background score. Raju Edurolu’s cinematography shows some improvement in the latter half but remains inconsistent overall.
In the end, Raakaasa is a missed opportunity. Despite aggressive promotions and initial buzz, the film suffers from lack of freshness, poor execution, and an identity crisis between horror and comedy.
