AR Rahman's Background Scores That Spoke Louder Than Dialogues
The Mozart of Madras composes scores in such a way that they convey emotions words can't touch.
AR Rahman isn't just a composer. He is a storyteller, a critic once put it. His background music often steals the show, especially when it comes to dramas that let the emotions speak. The Mozart of Madras composes scores in such a way that they convey emotions words can't touch.
In films, dialogues drive the plot. But Rahman's scores dive deeper. They build tension, evoke nostalgia, or spark joy. They speak volumes without a single word. Take his work with Mani Ratnam. It started with Roja in 1992. The score captured love amid conflict. Soft flutes and rhythms painted Kashmir's beauty and turmoil. Then came Bombay in 1995. The music mirrored riots and romance. Fast forward to Dil Se. The BGM heightened thriller vibes. Guru showed ambition's highs and lows through soaring melodies. Recently, Ponniyin Selvan parts 1 and 2 wove epic tales.
Usually, Rahman's music doesn't just support scenes. It leads them. Bollywood has got a fresh twist from Rahman over the years. His scores stand out. In Rang De Basanti, the BGM fueled rebellion by mixing folk with rock. In Ranbir Kapoor's Rockstar, the music explored soul-searching. It was raw and intense. Unlike typical Bollywood fluff, Rahman's work adds depth. It makes movies memorable.
Over decades, Rahman has mastered variety. Classical Indian in Roja. Electronic fusion in Taal. Sufi vibes in Jodhaa Akbar. Western orchestra in Slumdog Millionaire. Folk in Lagaan. Even experimental in lesser-known movies. He has done romance, action, drama, and sci-fi (Rajinikanth's Enthiran immediately comes to one's mind). This range keeps him fresh.
The super-talented composer adapts yet stays unique. No wonder fans call him the Mozart of Madras. In the end, Rahman's BGMs prove music is universal.