The best thing about Shershaah is that it doesn't star Akshay Kumar

It’s a story of inconsolable loss wrecked by war. It needs no added drama

The Dissident review: How to kill a dissident, Saudi style

The Dissent is visually sombre, often flat, but stunning in the things it reveals

Mumbai Saga has four main characters and a story that’s been done to death

There is really no reason to dislike Sandeep Aur Pinky Faraar

The Girl On The Train is a film concocted out of two things found in abundance in Bollywood: dumb cliches and staggering imbecility

Alludu Adhurs is hardly wonderful, and best steered clear of if you don’t fancy getting drunk on cliché

Aayushman here plays the catalyst for syappa and change and is often made to carry the heaviest dialogues.

Vishal Chandrasekhar’s music is moody and hits the right vibe. Suresh Bala's camera goes well with the theme.

SAC has said this will be his last movie behind the megaphone. An unmemorable departure to say the least!

The screenplay flows smoothly without any lags. The match sequences are realistic and the action blocks warrant mention.