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I had my own story to tell: Irrfan Khan

Actor Irrfan Khan talks about what drew him to the character of a delusional father
Drawing compliments for his performance in Qissa, actor Irrfan Khan talks about what drew him to the character of a delusional father and how he made it his own.
How was it speaking Punjabi for the first time in Qissa?
Initially when I was told about it, I felt I didn’t want this in my life right now. But after practising the rhythm of the words, I started enjoying speaking in Punjabi.
Do you enjoy learning new languages for your roles?
I enjoy playing roles that allow me to explore new emotional and verbal areas. In Qissa the difficult part was not the language, but getting into the headspace of my character.
You play a man who goes to great lengths to convince himself that he has a son. How important was it for you to be convinced that such men exist?
I know that such obsession with the male child exists. But I wasn’t dealing with that. For me my character’s craving for a child is a metaphor for human desire.
Is your character tormented by demons?
My character is at war with nature. He wants to know why nature created his child as a woman.
Did you bring this interpretation into your character on your own?
Whatever the director Anup Singh had written was not a complete character portrait. I had to personalise the character, give the character something from my life. It was the only way I could make it my own.
You mean you added your own interpretation to that of the director’s?
I had my own story to tell. I had to add that story to the director’s story without getting intrusive.
How much did Tillotama Shome (who plays the daughter), help get your character in place?
She’s very focused. She once came to me during the shooting after pack up. She wanted to know what it meant when my character (the father) is shown swallowing up her character.
What did you tell her?
I told her sometimes over-explaining a situation kills its impact. Sometimes it is better not to intellectualise a given situation. Every thing in life and art cannot be explained by logic. Sometimes you just have to reflect and act.
You avoid over-intellectualising?
We can try to intellectualise situations in a script. But I don’t work that way. I used to work like that. I used to question the director for meanings. When you do that, you start enacting the director’s interpretation of the character rather than what the character may actually represent.
( Source : dc )
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