Perhaps one of the most melodious voices today is that of Shreya Ghoshal’s. When the singer first burst onto the music arena with her scintillating numbers in Sanjay Leela Bhansali’s magnum opus Devdas, she revolutionised the music scene, which had been static for nearly a decade before her. She is known to have rendered Bade Ghulam Ali Khan ghazals (Bhor Bhai in Delhi-6) and item numbers like Chikni Chameli with equal mastery.
When you first appeared in Sa Re Ga Ma Pa, did you ever think that you would come so far?
Not at all, I was just a kid at the time. But, it was definitely a learning experience. And during the course of the show, I met Kalyanji Anandji, who mentored me and also convinced my father to shift to Mumbai. I owe a lot to my parents. They helped me say no to a lot of offers while I was still in school because the time wasn’t right.
How did it feel to become a star overnight?
A lot of people still ask me about Devdas and Dola Re, and how it felt to have sung those songs, but I really can’t describe the feeling. It was like a dream come true. It was one of those moments that came like a storm and I was swept up in it all. And, really, the hard part was maintaining that level and quality of singing afterward.
You’ve worked with AR Rahman. How has that experience been?
It has been like a dream right from the start. I am a huge fan of his work. My friend and I had a collection of all his songs in a DVD, even the Tamil ones. So, to actually work with him was incredible. Even today, after having worked with him on so many projects, I still feel that same-kind-of awe.
Are there any innovative instrument you were introduced to for the first time on the sets?
So many of them. Some of the instruments were used in ways, which I had not thought would be possible and some others, especially in the percussions section were completely new to me.
